https://www.bryonygillard.co.uk/contact daily 0.75 2024-03-21 https://www.bryonygillard.co.uk/news daily 0.75 2025-12-09 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/20accee3-85be-40d0-8dd0-163553dbb069/Screenshot+2025-12-09+at+15.14.43.png https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/8d853d2f-54b9-49a8-a59e-c87b70079a48/Screenshot+2025-12-09+at+15.04.24.png https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/9c057bde-f767-491b-bf60-837d3918a560/waterasmethod.png https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/bf04c591-eadd-47ed-ad17-dad1a245c894/4_My+Wits+or+Salts%2C+Chapter+2-+Heatwave.+HD+video+5%2721.jpg https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/b1762aac-2139-4d43-b87b-07594a18ab41/Screenshot+2025-11-14+at+12.47.44.png https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/3c461f61-a96b-404a-b227-2ea1ae1326e7/Screenshot+2025-11-14+at+12.41.05.png https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/3c02eae5-2dc3-4d16-8faf-96e1be268e0b/Screenshot+2025-11-14+at+12.32.12.png https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/6ab0472f-cc01-481b-b334-495c5fbec4ca/Screenshot+2025-11-14+at+12.22.04.png https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/11f9f635-a61d-4350-b675-2c4bdc096a28/tides_Jen_1.jpg News - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/7e7d5b70-ad2b-4b0a-b40e-993e4a4a1aa7/tempImagehy3cZY.jpg News - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1625660568055-Q8YGDDIAKFG3TWW4XJCO/Screenshot+2021-07-07+at+11.17.49.jpg News - ‘In-Conversation’ with Irene Aristizabal, Jerwood Arts, London A recording and transcript of my ‘in-conversation’ with Irene, about my new work, I dreamed I called you on the telephone, is now available on Jerwood Art’s website here. Bryony Gillard discusses I dreamed I called you on the telephone her commission for Jerwood Solo Presentations 2021 with Irene Aristizábal, Head of Curatorial and Public Practice at BALTIC Centre for Contemporary Art and co-curator of British Art Show 9. About the artist’s guest Irene Aristizábal is the Head of Curatorial and Public Practice at BALTIC Centre for Contemporary Art in Gateshead, where she has recently curated Judy Chicago’s first major survey in the UK and Abel Rodríguez first solo exhibition. She is co-curator (with Hammad Nasar) of British Art Show 9 (2021–23), the biggest touring exhibition of contemporary art in the UK, organised every five years by Hayward Gallery Touring. BAS9 will travel to Aberdeen, Wolverhampton, Manchester and Plymouth. https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/161c81f4-8143-46fb-81db-1ef70b05ab69/IMG_0502.jpg News - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/c0cc2b04-a181-4bd5-86e1-1e258f31325a/D916B074-5B71-4939-A8E1-D59399647C68.JPG News - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1629195927886-Y453R1L8RUJ2T6J3RL1D/Screenshot+2021-08-17+at+11.22.22.png News - Response to ‘I dreamed I called you on the telephone, Marek Sullivan for Jerwood Arts The very brilliant Marek Sullivan has written a response to ‘I dreamed…’ as part of his time as writer in residence at Jerwood Arts. Marek’s response is a sort of pseudo-email-essay written after we met for a cider to discuss the film. I am v honoured to have this text written in response to the work, which manages to sensitively articulate ideas around edges, pain and grief. You can read the text here or listen here. https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/27aa6281-b531-4bc9-8f80-4131cd5432a0/IMG_1071.jpg News - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1ff8174a-0670-4412-b605-e662bff778f1/Screenshot+2022-09-13+at+11.21.55.jpg News - Make it stand out still from work in progress exploring leaky bodies and sewers https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/11a42e47-08f8-4203-8f6b-1bb8039f7286/IMG_0476.jpg News - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/9176604f-ec53-4987-b8ec-ead6b11974bc/IMG_1070.jpg News - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1615056128792-Y52Y0BF06IXJ4W2KPO18/proposal-6.-1png.jpg News - Commission with University of Bristol Post Graduate Research Centre Launches May 2021 Working with a community of PhD researchers from the departments of Physics, History and English Literature, and materials from Special Collections and Archives at University of Bristol, this collaborative project explores groundbreaking research undertaken by PhD researchers at the University in the 1920’s and 30’s. From trail-blazing women researchers, international researchers, traces of empire and colonialism, espionage, nuclear physics and innovations in agriculture — the socio-political, academic and civic shadows and legacies of the University’s alumni are very much present today. Through a series of workshops with an incredible team of PhD researchers, I am developing three moving image works that draw together unseen archival materials from UOB’s Special Collections, alongside personal stories and the expectations and experiences of the current and future generation of researchers at the University. https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1615055557568-9V6F5SWKDSY2Y7FPJ8YO/Dreamed_13.jpg News - Jerwood Solo Presentations, Jerwood Arts, London 19 May – 17 July 2021 New commission, I dreamed I called you on the telephone (2021) for Jerwood Solo Presentations at Jerwood Arts London opening 19 May 2021. I dreamed I called you on the telephone is a moving image work which considers loss, illness and time under late capitalism. Now in its fifth year, Jerwood Solo Presentations creates a platform for the most outstanding early-career artists from across the UK to have their first major solo presentation in London’s thriving Southbank area only moments from Tate Modern. Selected and curated by Harriet Cooper, Head of Visual Arts at Jerwood Arts, it provides a fully resourced opportunity for three artists to develop a significant new commission at a pivotal moment in their career. The resulting exhibition creates a unique space for conversation and experimentation, across and between disciplines. https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612373834345-NHETAYJP3Q8A6WHGS128/untitled_181.jpg News - Unctuous Between Fingers awarded Project Grant from Arts Council England to tour in summer 2021 With support of a Project Grant from Arts Council England, Unctuous Between Fingers, will be touring throughout in 2021. Unctuous Between Fingers explores Amelia Warren Griffith’s historic seaweed collection (1800s) and its connection with contemporary feminist ideas and conversations. The key focus of the ‘tour’ is the development of a bespoke website which will act as an online home for the moving image work, and as a repository for research that the project has both led to and been inspired by. I will also be delivering workshops in collaboration with Wildlife Trusts in Devon, Cornwall and Kent in Summer/Autumn 2021 exploring what we can learn from seaweed. The moving image work itself will be presented as part of ESTUARY FESTIVAL in Gravesend, Kent, curated by Cement Fields in Autumn 2021. There will also be an online seaweed feminisms reading group, commissioned texts by project contributors, family resources and guides on the project website. More info on the project can be found here. https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/243163e6-2133-49c0-aefe-7c3ddce8ff21/Screenshot+2022-03-30+at+16.28.50.png News - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/87d24186-833b-4a38-9f56-5e3fa6ebc4df/Instagram_Ready-039.jpg News - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/5400ed26-c09d-43a9-84c4-d5eecea0d8e8/ST101056_small.jpg News - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1618838652275-3KQOIZ7WDY601PESLKWF/Screenshot+2021-04-19+at+14.22.40.png News - Citation in Sarah Minor’s essay, ‘Looking while Reading’ in the Journal of Creative Writing Studies, Rochester Institute of Technology My essay, ‘An Exploration of Verbivocovisual Borders and Margins’ (2015) is cited by Sarah Minor in her recent fascinating text, ‘Looking While Reading I, II, III: Visual texts and De-centred Form’ in the peer reviewed Journal of Creative Writing Studies Vol. 6 (Rochester Institute of Technology, USA). Sarah’s essay: introduces the term “visual essay” by tracing the genre’s history through the concrete poetry movement and the rise of the lyric essay. In describing the aims of visual essays, Minor distinguishes between “illustrative” and “non-illustrative” shaped texts, and suggests connections between “non-illustrative” examples and the aims of “Intersectional Form,” a term coined by scholar Jen Soriano. https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/9165201b-6492-4936-92c2-9b7044d7264a/Gillard_Bryony_23%3A02%3A23.png News - Make it stand out WIP: film still from MY WITS OR SALTS https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/633bc20c-ebc9-40da-bb04-673bc8c4b9c2/Screenshot+2022-03-30+at+16.28.07.png News - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/f162cf46-9d74-4311-b543-522eb5141d60/Screenshot+2024-06-26+at+12.02.07.png News - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.bryonygillard.co.uk/work daily 1.0 2024-08-27 https://www.bryonygillard.co.uk/work/i-dreamed-i-called-you-on-the-telephone-2021 monthly 0.5 2021-03-06 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1615054933620-XYU78W2O3FJXXB6B8QR2/Dreamed_6.jpg Work - I dreamed I called you on the telephone, 2021 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1615054904544-PRUAIBSHMLLUC9OQ0FX0/Dreamed_5.jpg Work - I dreamed I called you on the telephone, 2021 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1615054491696-OFE0HGCTJ5Y32LYKCX9N/Dreamed_3.jpg Work - I dreamed I called you on the telephone, 2021 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1625660351438-YEIX3OPW7GDA34KSVGLH/P_100954_00_A4-sRGB+SMALL.jpeg Work - I dreamed I called you on the telephone, 2021 - Make it stand out Installation documentation, Jerwood Arts, London https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1615054824929-XCW2F8QSZPCX3JDYD2OO/Dreamed_2.jpg Work - I dreamed I called you on the telephone, 2021 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1625660096855-P46ZSZHIU37RO2LQAORC/P_100942_00_A4-sRGB+SMALL.jpg Work - I dreamed I called you on the telephone, 2021 - Make it stand out Installation documentation, Jerwood Arts, London https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1625660220308-OBUME9ZB9H1WX08J1FFU/P_100958_01_A4-sRGB+SMALL.jpg Work - I dreamed I called you on the telephone, 2021 - Make it stand out Installation documentation, Jerwood Arts, London https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1615054539296-UCD96H638S5RNS350J9U/Dreamed_11.jpg Work - I dreamed I called you on the telephone, 2021 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1615054961591-27B8K8Z8LLM9NSQ9GJKE/Dreamed_13.jpg Work - I dreamed I called you on the telephone, 2021 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1625660315310-Y7526NZORIIHLS7ULBY5/Screenshot+2021-07-07+at+11.17.49.jpg Work - I dreamed I called you on the telephone, 2021 - Make it stand out Installation documentation, Jerwood Arts, London https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1615054519239-BC0QXA3CO07ZRPNBTNJ5/Dreamed_7.jpg Work - I dreamed I called you on the telephone, 2021 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1615055015635-MY56ZFGNZOUSVURXB1IO/Dreamed_1.jpg Work - I dreamed I called you on the telephone, 2021 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1615054791542-LHP4789GFU5TIU419T0J/Dreamed_4.jpg Work - I dreamed I called you on the telephone, 2021 https://www.bryonygillard.co.uk/work/toast-2010 monthly 0.5 2021-02-08 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612804418967-CDCQPN1SCTC4XZZ5Q2G9/pasted+image+400x300.jpg Work - TOAST, 2010 - TOAST, 2010 Informed by the etiquette of toast making the traditions of ‘Toastmasters’, and investigating the dynamics of social gatherings, exhibition visitors were to contribute to a collaborative public toast. Births and Deaths, good news or a moment of reminiscence, the traditional toast marks the signposts of a life; often the toast itself can turn into a miniature-biography. Smartly dressed wine waiters served guests champagne in crystal glasses. By accepting a drink, guests were agreeing to participate in the performance. Those present were invited to contribute to a continuous 'toast' that occurred every 20 minutes - brought to attention by the clear, crisp sound of metal against crystal. Anything could be toasted – from something monumental and life changing, to a good meal, an individual who deserves to be celebrated, or a political issue. The structure and composition of the toast changed throughout the duration, becoming longer as guests contribute, forming a collaborative celebratory monologue, and at times more concise as similarities appeared in toast information provided. https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612804520934-Q4RIMWH69TWOTV4NG91M/pasted+image+290x4002.jpg Work - TOAST, 2010 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612804544189-1RELU0AATHQ4SY0K5DQM/pasted+image+290x4003.jpg Work - TOAST, 2010 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612804594284-LLI40424VYJWXRWQYHAA/pasted+image+290x4005.jpg Work - TOAST, 2010 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612804670847-IOLORU9K05BJEN7D1IJT/pasted+image+290x4008.jpg Work - TOAST, 2010 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612804621280-KZ58TAQMC4J41IONIOCS/pasted+image+290x4006.jpg Work - TOAST, 2010 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612804638979-2074VWE1BY9IOYOJ102Q/pasted+image+290x4007.jpg Work - TOAST, 2010 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612804563725-4HIPONY88TYL9CF06OQF/pasted+image+290x4004.jpg Work - TOAST, 2010 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612804739942-YKT0CXWVVUGA34V77QEV/pasted%2Bimage%2B1600x558-u2409.jpg Work - TOAST, 2010 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612804703686-3QWJSRBQ4Y3VAWKLYEAU/pasted+image+290x4009.jpg Work - TOAST, 2010 https://www.bryonygillard.co.uk/work/welcome-drinks-2011 monthly 0.5 2021-02-08 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612804199213-SBE7VP1MFCNILXTI37GT/pasted+image+390x400.jpg Work - Welcome Drinks, 2011 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612804139709-C6RYFRHIXXZWK7YZPJ99/pasted+image+300x400.jpg Work - Welcome Drinks, 2011 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612804170254-QCGZM8XIKUNS35TS22KY/pasted+image+400x400.jpg Work - Welcome Drinks, 2011 - Welcome Drinks (For Nowhereisland), 2011 Nowhereisland Open Meeting event, Plymouth Arts Centre A series of bespoke, island themed cocktails to welcome Nowhereisland, in collaboration with a team of mixologists. The Batter Street studio at Plymouth Arts Centre was transformed into an intimate cocktail bar with smartly dressed cocktail waiters and trained mixologists. A text piece accompanying the performance was printed on coasters in the space, and as the evening progressed rings from glasses left a physical trace of the event on the coasters. Each cocktail, or artwork, was titled after an event or notion that related to Nowhereisland in some way: 1. Ny Oppdagelsen (4 lemon juice, 5 gin, 2 gomme, 2 blue curacao) Translates as 'New Discovery' in norwegian. 2. Project Habbakuk (3 pineapple, 3 lime, 6 rum, 1 gomme, 1 orgeat) A failed plan by the British in WW2 to construct an aircraft carrier out of pykrete (a mixture of wood pulp and ice), thus creating artificial ice-islands. 3. Islomania (12 Apple juice, 2 Vanilla gomme, 2 Lemon juice) A craze for or a strong attraction to islands.The condition was first identified by Lawrence Durrell in his book Reflections on a Marine Venus (1953). (Nowhereisland was a large scale contemporary art commission and the winning project of Artists Taking the Lead for the South West England, part of the London 2012 Cultural Olympiad. Led by artist Alex Hartley and produced with Situations, at the University of the West of England, Bristol.) https://www.bryonygillard.co.uk/work/last-orders-2012 monthly 0.5 2021-02-08 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612799215856-0TXF2RXJS2UF4AOEK3YX/pasted+image+640x4274.jpg Work - Last Orders, 2012 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612799155837-W33W4D3N44EXI5WBCDYS/pasted+image+640x4272.jpg Work - Last Orders, 2012 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612799319921-GEXNMILIDCA0T8OAE8H8/pasted+image+427x6402.jpg Work - Last Orders, 2012 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612799279541-6QSISG0UYH0HBM9L0JGE/pasted+image+427x640.jpg Work - Last Orders, 2012 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612799385022-1YHTPNMJG2APL1GP1O2P/pasted%2Bimage%2B640x4802.jpg Work - Last Orders, 2012 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612799107365-GJZ8ZWQFIIJ8VV8HQYCS/pasted+image+640x427.jpg Work - Last Orders, 2012 - Last Orders (negotiating the loan of the last orders bells from a number of public houses and replacing each one with a diatonic handbell, of a different musical note), 2011-12 Solo exhibition, Motorcade Flashparade, Bristol, 2012, installation and multi-site performance and A Circle (group exhibition), Come to Ours, Plymouth 2011 The loan of the ‘last orders’ bells from a number of public houses was negotiated for the period of an exhibition, the bells were substituted by a musical hand bell, each of a different note. Every night, when the hand bells were rung to mark to mark ‘last orders’ and then ‘time’, a composition took place, its constituent notes sounding individually across the city, so that the performance could never be physically heard in its in entirety. The exhibition attempted to represent and reflect the multi-site performance through related ‘works’ and objects, rather than documentation https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612803884937-OIQ5HKLZWAVQIN31R73V/pub%2Bchord.jpg Work - Last Orders, 2012 https://www.bryonygillard.co.uk/work/tuning-up-2013 monthly 0.5 2021-02-08 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612798418353-5ZKUEAEMJ0G0MAW238CQ/best3.jpg Work - Tuning Up, 2013 - Tuning Up, 2013 Performance with pianist, Samuel Chapple, Presented at Plymouth College of Art, as part of solo exhibition: In the boom of the tingling strings. Tuning Up combines an orated script, piano improvisation and the choreography of moveable textile screens as a live performance. The script explores the pedagogy of music and movement, alongside fragments of fictional texts, poetry and stream of consciousness. A disjointed narrative is accompanied by live piano improvisation and staging of moveable textile screens, text works and images, broken down into scenes relating to each passage in the text. The work sits somewhere between concrete poetry, lecture and dance - crossing these boundaries and exploring the possibilities for musical accompaniment to voice. Images: Documentation and text/image from performance with with Samuel Chapple (piano, moveable textile screens, text https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612798664635-ZU7FFDYP3U02FELNCGWI/pasted+image+609x640.jpg Work - Tuning Up, 2013 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612798874490-E5ERRQF1PQVP9X9SASHG/pasted%2Bimage%2B1600x1124.jpg Work - Tuning Up, 2013 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612798911316-7B9E723Y3V6DFQKBHCO1/pasted+image+1600x1139.jpg Work - Tuning Up, 2013 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612798470501-J1UUYJ5WTV8GFDD70THS/img_2380.jpg Work - Tuning Up, 2013 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612798395541-YGSOW26Z68CYKSSHV5SV/pasted+image+640x498.jpg Work - Tuning Up, 2013 https://www.bryonygillard.co.uk/work/ear-training-rhythm-notation-2013 monthly 0.5 2021-02-08 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612797901900-W4DPC81VD89ACJBLWECI/img_2140.jpg Work - Ear Training, Rhythm, Notation, 2013 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612796996759-EBGCGIT0JKJACTDM221X/pasted+image+1600x12002.jpg Work - Ear Training, Rhythm, Notation, 2013 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612796968535-97KQJ63HLZCZ3VXFGBO5/pasted+image+1600x1200.jpg Work - Ear Training, Rhythm, Notation, 2013 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612796407623-NN2IHWOWXG0GTXRL6M0U/pasted+image+1200x1600.jpg Work - Ear Training, Rhythm, Notation, 2013 - Ear Training, Rhythm, Notation, 2013 Sound work (8 min), live performance and changing installation, feat. Lorraine Liyanage and Klemens Koehring. Presented in the 2 person exhibition, Bobby’s Recital, Standpoint Gallery, with Jenny Moore, curated by Matilda Strang. A male voice recited a fragmented narrative that combined causal reminiscences and informative texts, addressing the dual function of a piano as both and instrument and an object, heavy with cultural and personal references. The text was inspired by a series of conversations with piano teacher, Lorraine Liyanage and for the live performance Lorriane played intentionally ‘badly’ whilst an actor recited the text. An accompanying installation to the sound work changed daily thought the period of the exhibition. Revolving around a baby grand piano, the instrument was ‘prepared’ in different ways to alter it’s sound, using objects such as mirrors, printed texts, a pot plant, painted quails eggs and screws. https://www.bryonygillard.co.uk/work/word-chords-2013 monthly 0.5 2021-02-08 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612796032387-NLXL7EG8ZG6SQI61T1I8/table.jpg Work - Word Chords, 2013 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612796147325-ZFO7KFN07KKQRTGQMN7P/img_2250.jpg Work - Word Chords, 2013 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612795960942-L086VZXXYZ3SAI9IACAV/cabbage.jpg Work - Word Chords, 2013 https://www.bryonygillard.co.uk/work/as-furniture-as-discipline-2013 monthly 0.5 2021-02-08 https://www.bryonygillard.co.uk/work/practice-2013 monthly 0.5 2021-02-08 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612795432638-DW4Q6N0O6Z87DT2I8FQK/img_2241.jpg Work - Practice, 2013 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612794716115-V34KO2DEUASOT7X86LY1/img_7297.jpg Work - Practice, 2013 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612794626526-PMJY91UYP4DZHWENHFRG/dommoore_2013_pca_bryonygillard_lessons-4848.jpg Work - Practice, 2013 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612794550627-81FIR65AN2KC6OLWT6DJ/bg1.jpg Work - Practice, 2013 - Practice, 2013 Performance and installation solo exhibition: In the boom of the tingling strings, PCA, Plymouth Exploring the notion of musical practice or rehearsal, revealing a private or solitary act in a more public domain, Practice invites professional and amateur musicians to use the gallery as a rehearsal space. At specific times throughout an exhibition, musicians of all abilities practised non-amplified music, making use of the baby-grand piano, moveable seating and acoustic screens. Visitors were invited to view the rehearsals, pushing the normally solitary or closed activity into the realm of performance. The music played, with its mistakes, repetitions and slips, will become the soundtrack for the exhibition, shifting the meaning and relationships between works. Images credit: Dom Moore and PCA https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612795506824-49T7SKJTAVEU81XIJQHK/bg2.jpg Work - Practice, 2013 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612795536059-X0H0JPS00J1OOLHSPQQR/img_2233.jpg Work - Practice, 2013 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612795473925-IC265W6J749Z4ZNHFFU9/img_2243.jpg Work - Practice, 2013 https://www.bryonygillard.co.uk/work/an-eye-an-arch-a-bridge-2014 monthly 0.5 2021-02-08 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612793929594-1QGB99QG872T234H07X6/u2662-15.png Work - An Eye, An Arch, A Bridge, 2014 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612793662228-T0JCDGYPX67AU9W235X8/copper+blue+circle.png Work - An Eye, An Arch, A Bridge, 2014 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612793315844-5S5FH0HKPP06O64ZHC69/img_3800.jpg Work - An Eye, An Arch, A Bridge, 2014 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612793954860-OD5VRT37DX3P0C5TQK8B/u2663-16.png Work - An Eye, An Arch, A Bridge, 2014 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612793197425-JVUL529JLZHJ5Y4IVXN5/img_2911.jpg Work - An Eye, An Arch, A Bridge, 2014 - An Eye, An Arch, A Bridge, 2014 Sound piece, performance, digital print on fleece (sound piece made in collaboration with Neil Rose) Performance for numerous voices, sound and image bringing together the myth of Ourobous, the anarchist theory of dissolving hierarchies and the Serpent dance, a Cornish Folk dance in which the leader continuously changes. Images: photograph of holestone, Cushendall, NI documentation of performance, Bristol Art Weekend, 2014 (w. Alex Higlett) digital print on fleece installed in the exhibition, Waking Up a Shape, Bristol Art Weekend, 2014 Three texts read during performance, sources: ‘A Guide to Penzance & its Neighbourhoods’, J.S Courtenay (1845), ‘Anarchy in Action’, Colin Ward (1973) and The construction of the World’ from ‘Timaeus, Plato. Circular images projected during performance Visual script for performance https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612794141078-DGG513OAEP67BDOZGYNZ/u2678-58.jpg Work - An Eye, An Arch, A Bridge, 2014 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612793556011-VI4JVRBHHAM2YDUEFVB8/salt+green+circle.png Work - An Eye, An Arch, A Bridge, 2014 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612793437301-0G4JYCXT874WV6GG8U9A/pink+hair+circle.png Work - An Eye, An Arch, A Bridge, 2014 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612793911125-UNIM57DU9W1N245IXRGK/u2661-14.png Work - An Eye, An Arch, A Bridge, 2014 https://www.bryonygillard.co.uk/work/dies-durch-dich-2014 monthly 0.5 2021-02-08 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612788846745-HNMZ1B5C3I1D9KHNDBFH/best1.jpg Work - Dies Durch Dich, 2014 - Dies Durch Dich, 2014 Performance and textiles series Presented at Upominki, Rotterdam and Spike Open, Bristol (both 2014) Dies Durch Dich uses the dance form Eurythmy to investigate the choreographic potential of translating auditory elements through objects and the body. A series of workshops, performances and artworks explore the history and legacy of Eurythmy (as. pedagogical device within a uniquely structured system) and its potential to physicalise abstract language or concepts. Eurythmy attempts to order and translate language through the body, physicalising immaterial concepts into a flowing transformation (letter to letter, word to word). This project attempts mirror this process of translation in a series of poems that juxtapose terminology form the realms of finance, science and choreography, describing states of transformation (solid to liquid, contraction/extension, administration of assets), drawing similarities and parallels between these very different disciplines. https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612789074628-SCJ2JR4GJNMPD152W56T/img_4389.jpg Work - Dies Durch Dich, 2014 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612788813028-W31RQDA6E7B2X2LJR06B/best2.jpg Work - Dies Durch Dich, 2014 - In collaboration with a Eurythmist, the poems are then translated into Eurythmy. Alongside these collaborative exercises, an ongoing experiment into materialising a process of transformation results in a series of large textiles. Silk paints were frozen and then allowed to melt slowly onto fabric over different durations. The textile works reflect the ‘veils’ worn as part of Eurythmy dancers costumes - which are made in the exact measurements of the dancer’s height and arm span and created in a fluid, coloured material, seen as the ‘after-image’ of a rhythm or word. The resulting blurred colour fields on the textiles also resemble the ‘wet-on-wet’ painting technique taught in Steiner schools, which focuses on an experience of colour rather than form. Images: Videos and stills: studies for performance (workshop with Eurythmist, Rebecca Paten) & textile works (150x200cm) frozen silk paints on silk chiffon https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612789120277-6BZFESC685VU22CPJLKG/bg1_1.jpg Work - Dies Durch Dich, 2014 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612789150895-D6BXD0DVL054SN7LAHWR/img_4382.jpg Work - Dies Durch Dich, 2014 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612788965526-WXOYU2BB44W5PR55SYA6/img_4379.jpg Work - Dies Durch Dich, 2014 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612788921512-GSINW6YNFYQVAD1XGCVH/img_4385.jpg Work - Dies Durch Dich, 2014 https://www.bryonygillard.co.uk/work/add-utter-rut-2015 monthly 0.5 2021-02-08 https://www.bryonygillard.co.uk/work/on-frottage-part-i-2015 monthly 0.5 2021-02-08 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612787384552-78CGOQ7NVE1FZFRLIMZ3/frottage_test_1.jpg Work - On Frottage (Part I), 2015 - On Frottage (Part I), 2015 Lecture performance with overhead projecton, acetates, video and sound On Frottage I explores the medium of frottage — and the relationships and synergies that this process might have to other practices, objects and times — such as contact improvisation, land art and poetry. Starting with ideas around contact of surfaces and translation, this series has evolved to include performed poems and videos, lecture presentations, texts, sound works and objects. https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612787162019-KL7MAD03ZN7UTWZA266U/IMG_6078.JPG Work - On Frottage (Part I), 2015 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612787273527-86UDEPTG5B77HSKSL82F/IMG_6077.JPG Work - On Frottage (Part I), 2015 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612786354455-0A6MYVCWC6JWTG2LUVYO/img_6014.jpg Work - On Frottage (Part I), 2015 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612786333329-Q1DU9CGNLN9LDBUUBTRE/img_6011.jpg Work - On Frottage (Part I), 2015 https://www.bryonygillard.co.uk/work/un-waive-edge-ground-2015 monthly 0.5 2021-02-07 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612726424891-ZFO3TT8IM71LSZ924JQ1/Screen+Shot+2015-06-13+at+11.23.26.png Work - Un Waive Edge Ground, 2015 https://www.bryonygillard.co.uk/work/on-frottage-part-ii-2015 monthly 0.5 2021-02-07 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612723663108-05KWI7UVLAE2CZ2Q9YOQ/img_5561.jpg Work - On Frottage (Part II), 2015 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612723701912-5JHL86PR4RHWTLHNBH4V/img_5565.jpg Work - On Frottage (Part II), 2015 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612723842790-459EANIZKRJZUTFG46BD/img_5569.jpg Work - On Frottage (Part II), 2015 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612723467886-AODKZZJM838LR5IJCT1M/img_5563.jpg Work - On Frottage (Part II), 2015 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612723735812-MZGL3XKVPK5F58VMF5C8/img_5566.jpg Work - On Frottage (Part II), 2015 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612723936318-L10P7V5L1F6XSBJHTXSV/img_5572.jpg Work - On Frottage (Part II), 2015 https://www.bryonygillard.co.uk/work/the-stones-talk-to-her-2017 monthly 0.5 2021-02-08 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612722925725-025M8J0U4Q927FDLMNNZ/dsc_0470.jpg Work - The Stones Talk to Her, 2016 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612722863083-MEZQ01S1AXNJYOZ8153I/dsc_0454.jpg Work - The Stones Talk to Her, 2016 - The stones talk to her and Their words into air, 2016 Digital print of crayon on paper Commissioned for Fungus Press for Turf Projects, Croydon, London Part of an ongoing series exploring frottage and its connection to body, text and landscape, these poster works are digital scans of frottages made in response to a series of small scale stone carved artworks by Ian Hamilton Finlay in the garden of St George’s, Bristol. New statements are created through frottage, inserting a female voice into Finlay’s texts, editing and improvising through touch and contact with the stone. https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612723178882-2L4ZU10YOYC7XW4BZQ4C/DSC_0450.jpg Work - The Stones Talk to Her, 2016 https://www.bryonygillard.co.uk/work/untitled-2018 monthly 0.5 2021-02-05 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612549256393-X7PPEZH4J6YM87ONN11X/Bryony+Gillard_Low+Res-15.jpg Work - Untitled, 2018 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612548928547-P0EF3CXJ71B2HQSTGACU/bryony+gillard-4.jpg Work - Untitled, 2018 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612548838195-M7YOCSPFEY42UDS4P4JW/bryony+gillard-10.jpg Work - Untitled, 2018 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612549105598-EHTPB1KMKEBGSZ890HID/bryony+gillard-12.jpg Work - Untitled, 2018 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612453456750-8ODVCBBP13PIFLEI61C0/bryony+gillard-25.jpg Work - Untitled, 2018 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1613298961954-A9Y6UVP34VPQPSQSY18E/bryony%252Bgillard-14.jpg Work - Untitled, 2018 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612549289835-55PMWJM2SQ126BQJJC7A/Bryony+Gillard_Low+Res-34.jpg Work - Untitled, 2018 https://www.bryonygillard.co.uk/work/tentacular-thinking-2019 monthly 0.5 2021-02-05 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612547791639-JHKQ7K1VH8OZVN5066NR/screen%2Bshot%2B2018-09-07%2Bat%2B121715.jpg Work - Tentacular Thinking, 2018 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612547117667-WEWW05VMP7FYZEV959BV/img_3348.jpg Work - Tentacular Thinking, 2018 - Tentacular Thinking, 2018 Improvised performance by Viki Browne, Bryony Gillard, Maggie Nicols, Danni Spooner and D-M Withers As part of the exhibition A cap like water, transparent, fluid yet with definite body, Turf Projects, 2018. Drawing on a number of texts exploring the collapse of psychic boundaries, speculative feminism and multi-species interactions, a group of collaborators follow the tentacles of their own ‘jelly-fish experiences’ through movement, voice and reading exercises, improvisation and discussion. Through different modes of thinking, feeling, looking and listening, the performance is a collective endeavour to explore states ‘jelly-fish’ being, unfurling into the space created by the work of writers and theorists such as Karen Barad, M. Jacqui Alexander, Donna Haraway, H.D and Elizabeth. R. Johnson. Performance documentation by Olga Koroleva https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612547539991-VOFXQQLW6MQ1BDEOVO77/IMG_3361.JPG Work - Tentacular Thinking, 2018 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612548465342-RFJIXTRNRV0IL698NIA3/IMG_3356.JPG Work - Tentacular Thinking, 2018 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612548026134-80TU8L7J6UR1BCYD5RX4/img_3359-u4863.jpg Work - Tentacular Thinking, 2018 https://www.bryonygillard.co.uk/work/baubobad-2019 monthly 0.5 2021-02-05 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612546272565-TOHB62X9HJPS1KYSQM58/Screen+Shot+2019-05-26+at+16.42.00.png Work - Bau-bo-bad, 2019 still from video documentation of performance, performed in the bathroom of a temporary project space - De Pimlico Project - London https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612546530925-8O715X0L7MMFENKOZEWY/baubobad.jpg Work - Bau-bo-bad, 2019 still from video documentation of Bau-bo-bad sock-puppet https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612546224979-JKEB4EXMB7G8VM8LU7XC/baubo_tynside_120319.jpg Work - Bau-bo-bad, 2019 - Bau-bo-bad, 2019 Performance, 10 mins Commissioned for A place that fosters us, DePimlico Project, London Told through many voices and mediated through the use of a ‘sock-puppet-mouth-orifice’, this lecture performance explored the figure of Baubo, often described as an old crone in Greek mythology(1). To comfort the goddess Demeter's inconsolable grief, Baubo threw her skirts over her head, exposing her genitals and shouted lewd remarks and dirty jokes. In some versions of the story Baubo speaks through her sexual organs — an infinite echo between mouth & vagina — reflecting patriarchal (mis)interpretations of feminised identity as closed circuit between sex & sound(2). Bau-bo-bad claims Baubo & others like her as a defiant feminist symbol, an un-youthful body unashamed of its sexuality, echoing back experiences, using ‘unacceptable’ sounds & behaviours as a tool to express that which we feel we cannot. The full performance text can be found in the writing section of my website as a short essay. This performance forms part of an ongoing body of research entitled Harmonic Anatomies. 1) My reading of Baubo comes via Anne Carson's essay, The Gender of Sound, 1995, footnote as below 2) Carson, Anne, The Gender of Sound, p136 in ‘Glass, irony and God’ (New Directions Publishing Co: New York) 1992. https://www.bryonygillard.co.uk/work/harmonic-anatomies-2019ongoing monthly 0.5 2021-02-05 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612545591364-BXRY0T2Q7777DO4OY6RO/screenshot+2019-09-04+at+151539.jpg Work - Harmonic Anatomies, 2019-ongoing https://www.bryonygillard.co.uk/work/harmonic1 monthly 0.5 2021-02-04 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612461478322-VXBQ39XIPCOPM1EYX65W/untitled_211.jpg Work - Harmonic Anatomies / Wet Mouths, 2019 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612463208997-RIF2FY97TA0WT1TB7VYQ/untitled_122.jpg Work - Harmonic Anatomies / Wet Mouths, 2019 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612463145874-4WDA0ZEIDJBAPV5AB5RX/untitled_161.jpg Work - Harmonic Anatomies / Wet Mouths, 2019 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612462656122-R4QBF6I86IY9YV7N3YVH/untitled_221.jpg Work - Harmonic Anatomies / Wet Mouths, 2019 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612463344486-3LUD5OEK9SLQGHM9FB6S/Untitled_1.1.1.jpg Work - Harmonic Anatomies / Wet Mouths, 2019 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612462749771-ADWV6SESR8SDOEV56P3M/untitled_171.jpg Work - Harmonic Anatomies / Wet Mouths, 2019 https://www.bryonygillard.co.uk/work/acap monthly 0.5 2021-02-04 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612375387954-WFUX6G8I5V9E866393PZ/Sequence+01.Still004+copy.jpg Work - A cap like water, transparent, fluid yet with definite body, 2017-18 - A cap, like water, transparent, fluid yet with definite body, 2017-18 H.D video, 14min 48sec With contributions from Viki Browne, Maggie Nicols, D-M Withers, Danni Spooner and Autobitch A cap like water, transparent, fluid yet with definite body is a moving image work, exhibition and ongoing research project exploring relationships between experiences of transformation, retreat and resistance. The project draws on the writings of the Modernist poet H.D and her experiences of psychic breakdown and creative and sexual awakening on the Isles of Scilly in the early 20th Century. After a period of severe trauma in her life, H.D withdrew to the islands with her lover and collaborator Bryher in 1919. During this time of retreat, she had what she referred to as her ‘jelly-fish experience’ — an awareness of tentacled connections between female erotic body and mind, a state of autonomous sexuality and creativity described through the metaphor of a jellyfish connected to her body. Considering the ‘jelly-fish experience’ as a state of being that disrupts and refuses categorisation, the project explores the possibility for peripheral landscapes to enable experiences that exist beyond the visible or thinkable; providing refuge for those existing outside of what is accepted and understood. https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612453715395-JBYRG5NM20QC530KCJAG/bryony+gillard-36-u4818.jpg Work - A cap like water, transparent, fluid yet with definite body, 2017-18 Limited edition embroidered patch, Turf Projects, image courtesy the artist, Turf Projects and Tim Bowditch https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612376173726-EHNYH84847NSMQH3W9U7/Sequence+01.Still002.jpg Work - A cap like water, transparent, fluid yet with definite body, 2017-18 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612375274722-3MOHR83CMIHX5G8IT8R5/Movement.Still003+copy.jpg Work - A cap like water, transparent, fluid yet with definite body, 2017-18 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612375352567-GKNG9C4PSSBC8H9K9IA2/Jellyfish.Still005+copy.jpg Work - A cap like water, transparent, fluid yet with definite body, 2017-18 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612452304176-YBOXYECT0RUDPA9G133L/bryony+gillard-2.jpg Work - A cap like water, transparent, fluid yet with definite body, 2017-18 Installation view, Turf Projects, image courtesy the artist, Turf Projects and Tim Bowditch https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612375274722-3MOHR83CMIHX5G8IT8R5/Movement.Still003+copy.jpg Work - A cap like water, transparent, fluid yet with definite body, 2017-18 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612453616977-TTRZGC3FOJFY35LXMUFJ/bryony+gillard-12.jpg Work - A cap like water, transparent, fluid yet with definite body, 2017-18 Installation view, Turf Projects, image courtesy the artist, Turf Projects and Tim Bowditch https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612452050769-YO24BKPHLSAB59030UMN/bryony+gillard-43.jpg Work - A cap like water, transparent, fluid yet with definite body, 2017-18 Installation view, Turf Projects, image courtesy the artist, Turf Projects and Tim Bowditch https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612454257180-1592PMLMW8ZLHQIZS3HM/Tate_St_Ives_Virginia_Wolf_2018_Installs_Photo_%28C%29_Tate_+%287%29.jpg Work - A cap like water, transparent, fluid yet with definite body, 2017-18 Installation view, Tate St.Ives in Virginia Woolf: an exhibition inspired by her writings, image courtesy Tate St.Ives https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612453870100-IHVSHNXLI64YKV7K4LLS/bryony+gillard-10.jpg Work - A cap like water, transparent, fluid yet with definite body, 2017-18 Installation view, Turf Projects, image courtesy the artist, Turf Projects and Tim Bowditch https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612375180636-AVFEH1FTKP4ZJ1OAJFDM/Movement.Still001+copy.jpg Work - A cap like water, transparent, fluid yet with definite body, 2017-18 - Bringing together collective improvisations, writing, personal memories and footage filmed on the Isles of Scilly, A cap… is a tentacular web of thoughts, archival research and responses from a number of collaborators; a collective endeavour to explore our own ‘jelly-fish experiences’. Presented as a solo exhibition at Turf Projects, the project included a series of body prints on latex and latex covered seats, alongside a publication/poster with a commissioned text by writer and curator, Bridget Crone and a limited edition patch. The moving image work has also been included in a number of group exhibitions and screenings including Virginia Woolf: an exhibition inspired by her writings at Tate St.Ives, Pallant House and the Fitzwilliam Museum. The project is supported by an Arts Council England Grant for the Arts, FEAST, the Peninsula Arts Film Award and SWFTA - the South West Film & T.V Archive. Voiceover, Jen Conway Editing and sound design, Bryony Gillard Movements, conversation and sounds by Viki Browne, Maggie Nicols, D-M Withers, Danni Spooner with additional music Autobitch. Camera and sound mix and grade, Oliver Sutherland The project takes influence from H.D's essay Notes on Thought and Vision, 1919. https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612454613928-VPNA0JG1SXWCPKZEZQES/Movement.Still004%2Bcopy.jpg Work - A cap like water, transparent, fluid yet with definite body, 2017-18 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612374871981-4N2BZHPG10BNQZVEE58J/sequence+01still002.jpg Work - A cap like water, transparent, fluid yet with definite body, 2017-18 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612376071845-CY0ETXDKBJC7FVTXXZ7X/Sequence+01.Still007+copy.jpg Work - A cap like water, transparent, fluid yet with definite body, 2017-18 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612375216839-F11HG4FUVNW2XUJ0NG15/Sequence+01.Still005+copy.jpg Work - A cap like water, transparent, fluid yet with definite body, 2017-18 https://www.bryonygillard.co.uk/work/unctuous monthly 0.5 2021-02-04 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612440359161-YWYK2RLOH1U0RO8Y3B5K/untitled_311.jpg Work - Unctuous Between Fingers, 2019 - Unctuous Between Fingers, 2019 HD video, 15min Commissioned by the Royal Albert Memorial Museum & Art Gallery, Exeter Unctuous Between Fingers takes as its starting point, an archive of pressed seaweeds and algaes held by the Royal Albert Memorial Museum & Art Gallery, collected predominantly by women in the mid 1800’s. A gendered hobby, ‘seaweeding’ was considered a creative pastime of little importance. However, many of the collectors made a significant contribution to marine botany, meticulously recording specimens and sharing their findings generously with the (male) scientific community. https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612372989494-DRLOX9E7Y9RA8M3WQ8Q1/Untitled_1.12.1.jpg Work - Unctuous Between Fingers, 2019 - What happens when something slippery, living and intangible is pressed, dried and flattened? What do we lose or gain in the process of preserving these specimens and how does this transformation from slippery and elusive, to brittle and hard relate to ideas around collecting and care, active and historicised feminisms? Through a process of archival research and workshops with enthusiasts, artists, scientists and philosophers, the work explores the seaweed collection’s relationship to contemporary ideas and conversations. Considering our interconnectedness with our more-than-human world, the work poses the question, what we can learn from seaweed? Credits: Edit: Bryony Gillard / sound mix & camera: Oliver Sutherland / Contributors to the film: Hannah Aspinall, Kayle Brandon, Maria Christoforidou, Katherine Hall, Sarah Hotchkiss, Katie Orchel, Sammy Playford, Astrid Schrader, Fern Thomas / Additional contributions from North Devon Coast Wise / With thanks to the team at Royal Albert Memorial Museum and Art Gallery, Spike Exhibition Services, Sarah Hotchkiss, Oliver Sutherland, Matt Slater and David Wilkinson. Commissioned by the Royal Albert Memorial Museum and Art Gallery, Exeter. Supported by The Elephant Trust, courtesy of the George Melluish Bequest. https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612374174369-GAJGOEQSFWMD3BG5OVVL/RAMM+Seaweed+Xbn-13.jpg Work - Unctuous Between Fingers, 2019 Installation view, Royal Albert Memorial Museum & Art Gallery, 2019 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612373378550-38U2QDWHRQE1UYDWBJJW/untitled_111.jpg Work - Unctuous Between Fingers, 2019 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612441869869-N81A1TS5N1O2V0Z7G3YF/untitled_1211.jpg Work - Unctuous Between Fingers, 2019 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612373571769-UW4BZ3YMNRCZ4DYSJOIK/untitled_261.jpg Work - Unctuous Between Fingers, 2019 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612373323107-RCLAO4EITE24T0NS0VTA/untitled_1231.jpg Work - Unctuous Between Fingers, 2019 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612374269116-QXI7XZAJ8C14G2EDIAWN/Untitled_1.6.1.jpg Work - Unctuous Between Fingers, 2019 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612373733624-UDGWEQ65F7KAL9ECKC6T/untitled_1231.jpg Work - Unctuous Between Fingers, 2019 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612373972413-G0M6D5M765V3AZXPQDG4/Untitled_1.10.4.jpg Work - Unctuous Between Fingers, 2019 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612373373278-KOXINOQ6PY8KXPEXILUV/untitled_181.jpg Work - Unctuous Between Fingers, 2019 https://www.bryonygillard.co.uk/work/unctuous-between-fingers-expanded-project-2022 monthly 0.5 2024-03-19 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/09a82ca3-e904-4ebe-a741-6a98c28af3a4/unctuous+website.jpg https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/d26768a9-0d3e-4769-99ad-d814d815dd2e/Screenshot+2024-03-19+at+19.23.49.png https://www.bryonygillard.co.uk/work/there-are-tides-in-the-body-2023 monthly 0.5 2024-03-19 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/df1c7848-62e3-4f98-8af3-f77a9bee73fa/9A36F40A-73E7-4863-A063-171EBCE14D2F.JPG https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/2f1e72c5-8f8b-429d-81d0-6a73c32090d6/tempImages7mhq3.jpg https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/315461b6-84c3-46a5-8cb3-fa03af7fe57a/122246A4-0B22-42D6-9AC7-9B63B5320C62.JPG https://www.bryonygillard.co.uk/work/my-wits-or-salts monthly 0.5 2024-03-21 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/36efac34-5b06-494d-86a1-5cfd5d77539d/Screenshot+2023-03-04+at+11.12.27.jpg https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/cb016769-7bae-407f-9096-57b979ef1420/Screenshot+2022-09-13+at+11.21.59.jpg https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/3f48938f-9f0a-4076-959a-acaa0a0028ea/Screenshot+2022-09-13+at+11.24.06.jpg https://www.bryonygillard.co.uk/work/along-comes-tera-2023 monthly 0.5 2024-03-21 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/eb735cb0-172d-4466-9177-eafdb400f8f2/along+comes+tera+2.jpg https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/a4638e1b-e1b3-426f-acf3-84feb7ac0a3a/along+comes+tera+1.jpg https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/e6d84569-aa02-4ed5-abca-a68a72cca95a/PXL_20231216_201955322.jpg https://www.bryonygillard.co.uk/work/more-than-trilogy-2021 monthly 0.5 2022-01-25 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/96b56349-ff35-45d4-8c5f-be6274495734/Screenshot+2022-01-25+at+11.50.08.png Work - More than (trilogy), 2021 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/93838c4d-1f62-467e-a1c3-9eabc0472280/Screenshot+2022-01-25+at+11.46.49.png Work - More than (trilogy), 2021 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/a988b282-a63c-4a44-a850-c7770630bdbd/Screenshot+2022-01-25+at+11.47.12.png Work - More than (trilogy), 2021 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/692e7b0b-9a05-4303-9b42-41d390f051b7/Screenshot+2022-01-25+at+11.49.37.png Work - More than (trilogy), 2021 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/3b4ebd33-bc4a-46d8-8610-76d54ce7ffa8/Screenshot+2022-01-25+at+11.46.21.png Work - More than (trilogy), 2021 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/e1013715-57b4-4a9d-88ae-3644ecfefc00/Screenshot+2022-01-25+at+11.47.51.png Work - More than (trilogy), 2021 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/59e22e8a-df96-4059-9c40-419d96bdc94e/Screenshot+2022-01-25+at+11.45.59.png Work - More than (trilogy), 2021 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.bryonygillard.co.uk/writing daily 0.75 2024-03-21 https://www.bryonygillard.co.uk/writing/baubobad-performance-script-2019 monthly 0.5 2021-02-09 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612546272565-TOHB62X9HJPS1KYSQM58/Screen+Shot+2019-05-26+at+16.42.00.png Writing - Bau-bo-bad, performance script, 2019 https://www.bryonygillard.co.uk/writing/on-frottage-part-ii-performance-script-2015 monthly 0.5 2021-02-09 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612723467886-AODKZZJM838LR5IJCT1M/img_5563.jpg Writing - On Frottage (Part II) performance script, 2015 https://www.bryonygillard.co.uk/writing/fieldguide-2021 monthly 0.5 2021-02-09 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612883699722-JRQXYDTX7C72BOBCIP8Q/screenshot+2020-07-09+at+131536.jpg Writing - FIELD|GUIDE, 2021 https://www.bryonygillard.co.uk/writing/interview-with-izzy-dublois-phoebe-cripps-young-artists-in-conversation-2019 monthly 0.5 2021-02-09 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612883423673-II8K89K3P7STF3GOGD1W/image1.jpeg Writing - Interview with Izzy Dubois & Phoebe Cripps, Young Artists in Conversation, 2019 https://www.bryonygillard.co.uk/writing/interview-with-adam-pugh-director-of-artists-moving-image-tyneside-cinema-2019 monthly 0.5 2021-02-09 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612463145874-4WDA0ZEIDJBAPV5AB5RX/untitled_161.jpg Writing - Interview with Adam Pugh, Director of Artists' Moving Image, Tyneside Cinema, 2019 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612461415317-0CEU68EWV4J28M8BZGRB/untitled_211.jpg Writing - Interview with Adam Pugh, Director of Artists' Moving Image, Tyneside Cinema, 2019 https://www.bryonygillard.co.uk/writing/interview-with-babette-mangolte-louis-hartnoll-moving-image-research-journal-miraj-2019 monthly 0.5 2021-02-09 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612882010436-LB2892MGL86GB6QCOWUT/Screenshot+2021-01-13+at+16.58.03.png Writing - Interview with Babette Mangolte & Louis Hartnoll, Moving Image Research Journal (MIRAJ), 2019 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612882032173-JLDFK78XVCUKJ7AQAVA4/Screenshot+2021-01-13+at+16.58.10.png Writing - Interview with Babette Mangolte & Louis Hartnoll, Moving Image Research Journal (MIRAJ), 2019 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612882074336-BE6XPR2ZV2P8UODW3ZVW/Screenshot+2021-01-13+at+16.58.22.png Writing - Interview with Babette Mangolte & Louis Hartnoll, Moving Image Research Journal (MIRAJ), 2019 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612881862939-SKJSFQJWX0YRVYG932MI/Screenshot+2021-01-13+at+16.57.47.png Writing - Interview with Babette Mangolte & Louis Hartnoll, Moving Image Research Journal (MIRAJ), 2019 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612882209231-3UBL1UGGT6586WPVD58M/Screenshot+2021-01-13+at+16.58.40.png Writing - Interview with Babette Mangolte & Louis Hartnoll, Moving Image Research Journal (MIRAJ), 2019 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612882098956-V3P5542PDOMI40NH8WUA/Screenshot+2021-01-13+at+16.58.27.png Writing - Interview with Babette Mangolte & Louis Hartnoll, Moving Image Research Journal (MIRAJ), 2019 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612882051116-0KIRW2MNJMC4E8WSLGED/Screenshot+2021-01-13+at+16.58.16.png Writing - Interview with Babette Mangolte & Louis Hartnoll, Moving Image Research Journal (MIRAJ), 2019 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612882123057-N5M6DLYDDQSARDAS80TK/Screenshot+2021-01-13+at+16.58.32.png Writing - Interview with Babette Mangolte & Louis Hartnoll, Moving Image Research Journal (MIRAJ), 2019 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612881905149-9SB3PVS1T4EKNRIL29IA/Screenshot+2021-01-13+at+16.57.57.png Writing - Interview with Babette Mangolte & Louis Hartnoll, Moving Image Research Journal (MIRAJ), 2019 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612882259720-8RECILT7SK12RWFH5WD1/Screenshot+2021-01-13+at+17.00.18.png Writing - Interview with Babette Mangolte & Louis Hartnoll, Moving Image Research Journal (MIRAJ), 2019 https://www.bryonygillard.co.uk/writing/unctuous-voices-seaweed-kinships-2023 monthly 0.5 2024-03-21 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/cb4e725a-b1c8-4918-bf64-325c063a79d1/Screenshot+2024-03-21+at+15.12.17.png https://www.bryonygillard.co.uk/writing/project-three-er756 monthly 0.5 2021-02-09 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612375180636-AVFEH1FTKP4ZJ1OAJFDM/Movement.Still001+copy.jpg Writing - Did I (sub-aqueous) in the Scilly Isles, put out a feeler?, 2018 video still from A cap, like water, transparent, fluid yet with definite body, 2018 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612376173726-EHNYH84847NSMQH3W9U7/Sequence+01.Still002.jpg Writing - Did I (sub-aqueous) in the Scilly Isles, put out a feeler?, 2018 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612375748125-U7ZK1JI08K43VEK1JTGL/Movement.Still004+copy.jpg Writing - Did I (sub-aqueous) in the Scilly Isles, put out a feeler?, 2018 https://www.bryonygillard.co.uk/writing/project-two-rn6tr monthly 0.5 2021-02-09 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612864518144-ZB8U2CE6MVZA1SKF6P5S/marie+1.jpg Writing - Disappearing into land, 2015 - 18 Marie Yates, Field Working Paper 7 - 26th April 1972 - Porthmeor Beach, St.Ives, Cornwall https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847428788-3RC3XDZ68KJNORA7QZE2/20140301_Trade-151_0124-copy.jpg Writing - Disappearing into land, 2015 - 18 https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847428112-MOREEVPE0RJ05VQG72XM/20140301_Trade-151_0124-copy.jpg Writing - Disappearing into land, 2015 - 18 https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847427201-ZA5HK9KDS3UVPP8PS2OM/20140301_Trade-151_0124-copy.jpg Writing - Disappearing into land, 2015 - 18 https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847426759-PAVGDA8VIVF5O51PDODP/20140301_Trade-151_0124-copy.jpg Writing - Disappearing into land, 2015 - 18 https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847426331-YID77UY0WOG66SFVOTEO/20140301_Trade-151_0124-copy.jpg Writing - Disappearing into land, 2015 - 18 https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847425684-YVFENXOK2P3V3YV5NAIE/20140301_Trade-151_0124-copy.jpg Writing - Disappearing into land, 2015 - 18 https://www.bryonygillard.co.uk/writing/project-one-3d8z2 monthly 0.5 2021-02-09 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612863817376-VXO2BO07EUZA1WDBH916/poem2.jpg Writing - An Exploration of Verbivocovisual Borders and Margins, 2015 https://www.bryonygillard.co.uk/curatorial-projects daily 0.75 2024-03-21 https://www.bryonygillard.co.uk/curatorial-projects/come-to-ours monthly 0.5 2021-02-09 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612894749339-1N39MQ5X4P6NNVWBOMIU/ctoo3.jpg Curatorial Projects - Come to Ours, 2011 The Library of Independent Exchange, Chris Green and Mark James https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612894896871-IF3EAJPNNRSECA96URHP/circle2.jpg Curatorial Projects - Come to Ours, 2011 A Circle, group exhibition curated by Bryony and Beth https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612894920346-B2N3NSS5YK23XTLXOHGC/ctoo2.jpg Curatorial Projects - Come to Ours, 2011 LOW PROFILE: Would you like this badge? https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612894867948-IAPVSTLDXZO9BDI55FGL/ctoo1.jpg Curatorial Projects - Come to Ours, 2011 Video Takeaway, an artist film programme screened in takeaways across the city and selected from an open call https://www.bryonygillard.co.uk/curatorial-projects/project-space-11 monthly 0.5 2021-02-09 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612894360164-0J1O7M21V37D5F3HD7O0/ps11.jpg Curatorial Projects - Project Space 11, 2010-11 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612894467772-LX6UTB9XIO68PYWZY3SR/img_6487.jpg Curatorial Projects - Project Space 11, 2010-11 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612894390912-ZR2MS7GZ3R05PB5NMTDU/ps114.jpg Curatorial Projects - Project Space 11, 2010-11 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612894424425-A7XGJUTX3LYG4FY9AX87/ps116.jpg Curatorial Projects - Project Space 11, 2010-11 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612894296065-XCU1UTNFP2HKLAMM0QKX/dean.jpg Curatorial Projects - Project Space 11, 2010-11 https://www.bryonygillard.co.uk/curatorial-projects/detroit monthly 0.5 2021-02-09 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612893770782-X5486UO71XY7NAPX01WU/1557608_626245750774466_1089599344_n.jpg Curatorial Projects - Detroit, Bristol, 2013-14 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612893880948-IUFGD9GFBBJ97DGCUBHZ/1535554_626244590774582_1510971232_n.jpg Curatorial Projects - Detroit, Bristol, 2013-14 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612893852423-PHDUL7RDLSS1Q4145R5H/1510942_626245937441114_790325972_n.jpg Curatorial Projects - Detroit, Bristol, 2013-14 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612894002474-1DOHGUACLANP7KPM7RXA/photo-8.jpg Curatorial Projects - Detroit, Bristol, 2013-14 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612893900757-E59TZZ0GXMI2NSH5BXVP/1486624_626244847441223_927215754_n.jpg Curatorial Projects - Detroit, Bristol, 2013-14 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612893925275-FCY877V62LKTVUMWM0DB/img_3378.jpg Curatorial Projects - Detroit, Bristol, 2013-14 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612893681207-AWSMBJL5V29CUQ4R1S55/1528577_627297350669306_202983286_n.jpg Curatorial Projects - Detroit, Bristol, 2013-14 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612893698888-RYOFSLERVHGWB911IBA5/1528476_626245517441156_995957345_n.jpg Curatorial Projects - Detroit, Bristol, 2013-14 https://www.bryonygillard.co.uk/curatorial-projects/perennial-2023 monthly 0.5 2024-03-21 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/84270c71-e315-461e-92d3-ec5be7d577a4/DSCF6533.jpg https://www.bryonygillard.co.uk/curatorial-projects/c-c monthly 0.5 2021-02-09 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612893230767-918RRT312EW3MMLMTJW5/img_5577.jpg Curatorial Projects - C~C, Tate St Ives Artist Programme 2014-15 Rachelle Sawatsky, Daylight Recordings (for Marlow Moss), 2015, altered 35mm slides and live text https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612893107058-D4IZYKKCG9R08TGB0FD9/img_5512.jpg Curatorial Projects - C~C, Tate St Ives Artist Programme 2014-15 Gino Saccone, Conbordino (Jaoui) 2014, textile https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612893022163-MTGZU6ZNQEAYM8S67F09/bread4.jpg Curatorial Projects - C~C, Tate St Ives Artist Programme 2014-15 C~C research image https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612893258979-JHB8YDYM8EZ1OP726I68/os.jpg Curatorial Projects - C~C, Tate St Ives Artist Programme 2014-15 Oliver Sutherland, Propro, 2015, digital video https://www.bryonygillard.co.uk/curatorial-projects/moving-targets monthly 0.5 2021-02-09 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612892332439-WJTD8RP6WRJWL8DZFUVB/gwylde_swhipps7.jpg Curatorial Projects - Moving Targets, 2016 Gillian Wylde, The Day the World Turned Day-Glo (installation at Arnolfini in Foyer) https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612892466928-7ZT78NAAS68WAN8IN4DT/gwylde_swhipps1.jpg Curatorial Projects - Moving Targets, 2016 Gillian Wylde, The Day the World Turned Day-Glo (film screening in Millennium Square, Bristol) https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612892314673-YHOP3ZMKIJ9EY2N83IH4/g_wylde_rude+elec_paulsamuelwhite.jpg Curatorial Projects - Moving Targets, 2016 Gillian Wylde, The Day the World Turned Day-Glo (installation and performance - feat Steph Lee) https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612892447182-WVC0UDDIN4TWTHD4N653/dsc04089.jpg Curatorial Projects - Moving Targets, 2016 gal-dem live radio show in Resist Psychic Death installation, Gallery 1 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612892529043-KNWNTQ2D4PW07V7R0YWH/dsc04267.jpg Curatorial Projects - Moving Targets, 2016 Resist Psychic Death installation, Gallery 1 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612892548746-ABZ38IM9CWW85FPPQS0C/dsc09927.jpg Curatorial Projects - Moving Targets, 2016 archival material from Feminist Archive South relating to 1976, the alleged year of the ‘birth of punk’ https://www.bryonygillard.co.uk/curatorial-projects/slippery monthly 0.5 2021-02-09 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612892127050-M7B29RCIEHDXX6CY6PJ4/screen%252Bshot%252B2020-01-16%252Bat%252B215230-u5287.jpg Curatorial Projects - Slippery, Sticky, Wet, 2020 Documentation of screening - Sophie Mallett - Our Gelatinous Past, 2018 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612892145022-VL09P1T3LYZPG5RQ34YD/rx_recipie_3.jpg Curatorial Projects - Slippery, Sticky, Wet, 2020 Jayne Parker - RX Recipe, 1980, film still, courtesy of the artist and LUX https://www.bryonygillard.co.uk/workshops-teaching daily 0.75 2024-03-19 https://www.bryonygillard.co.uk/workshops-teaching/the-feminist-everywhere monthly 0.5 2021-02-09 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612897781485-3Q96CDH6Q8LMG768HV1A/screenshot+2019-11-17+at+152755-u5867.jpg Workshops & Teaching - The Feminist Everywhere https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612897852392-M4ZMMG4RH824AIQ5OC72/screenshot+2019-11-17+at+153234.jpg Workshops & Teaching - The Feminist Everywhere https://www.bryonygillard.co.uk/workshops-teaching/to-see-to-feel-to-speak-to-dare-2018 monthly 0.5 2021-02-09 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612897383858-4IM1FKSJLMTUUD5ZQDH8/environment_01.jpg Workshops & Teaching - To See, To Feel, To Speak, To Dare, 2018, https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612897265805-5JODCFMB1SP28PCWPQPA/img_1391-scaled.jpg Workshops & Teaching - To See, To Feel, To Speak, To Dare, 2018, https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612897462162-5F4PIRXCRDWR2N6UEUVM/rebellion_01.jpg Workshops & Teaching - To See, To Feel, To Speak, To Dare, 2018, https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612897401167-H4DB1Q3WMOZOGIZXRLET/heartsdare_01.jpg Workshops & Teaching - To See, To Feel, To Speak, To Dare, 2018, https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612897434715-LA7PVD8ZNJ5JBJPIU3O6/parallelworld_01.jpg Workshops & Teaching - To See, To Feel, To Speak, To Dare, 2018, https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612897189333-UEXOVZ2LBQY8YDOHMYX0/d0bx4fcwkaagt4u.jpg Workshops & Teaching - To See, To Feel, To Speak, To Dare, 2018, https://www.bryonygillard.co.uk/workshops-teaching/feminist-archive-south monthly 0.5 2021-02-09 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612896912749-8YG0PF69ZV4N0VS8OC8Z/img_2659.jpg Workshops & Teaching - Feminist Archive South https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612895701940-9N0MYXT5X6BRCXOSU9ID/img_5205.jpg Workshops & Teaching - Feminist Archive South https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612896950761-HJE4YCK6IICDOO6LSSLV/img_2673.jpg Workshops & Teaching - Feminist Archive South https://www.bryonygillard.co.uk/workshops-teaching/online-workshops monthly 0.5 2021-02-09 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612896712137-KV0NI9PXPBLHVT6B9KX2/Screenshot+2020-04-20+at+12.55.54.png Workshops & Teaching - Online workshops https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612896462601-RT2AH9I7AD254ORMUXZ8/Copy+of+Screenshot+2020-04-20+at+12.48.19.jpg Workshops & Teaching - Online workshops https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612896034978-N7ML34E7RNJGSY936SUS/copy.jpg Workshops & Teaching - Online workshops https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612896816312-SQY29LRBMU9J3UMPKNYK/Screenshot+2020-09-09+at+20.08.13.png Workshops & Teaching - Online workshops https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612896229300-JTXSWSJT7GYUYMKQZ3R7/screen+shot+2020-06-30+at+183437.jpg Workshops & Teaching - Online workshops https://www.bryonygillard.co.uk/workshops-teaching/workshops-teaching-my-approach monthly 0.5 2021-02-09 https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612896110343-5NCMPTAACRUZ9XEMZ600/copy.jpg Workshops & Teaching - Workshops & teaching: my approach https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612895499865-1X7GTK1B4R1S6738TYDH/img_9041.jpg Workshops & Teaching - Workshops & teaching: my approach https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612895555513-T3294P3MUD3NRMKAELKK/img_7816.jpg Workshops & Teaching - Workshops & teaching: my approach https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612896084254-17DIT98LEYNI5HI48UYB/copy.jpg Workshops & Teaching - Workshops & teaching: my approach https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612373834345-NHETAYJP3Q8A6WHGS128/untitled_181.jpg Workshops & Teaching - Workshops & teaching: my approach https://images.squarespace-cdn.com/content/v1/6016cf3ba0646e0baa8ffef0/1612895701940-9N0MYXT5X6BRCXOSU9ID/img_5205.jpg Workshops & Teaching - Workshops & teaching: my approach https://www.bryonygillard.co.uk/workshops-teaching/current-and-previous-lecturer-roles monthly 0.5 2024-03-19